Le Sud de France 6.4 : Journées Taurines, the Days of Bulls

The young men stood nervously rocking on the balls of their feet, waiting for the riders and horses. The long allée of plane trees leading into the heart of the village was full of people. New parents pushed strollers, old folks walked slowly with canes and teenagers gossiped ceaselessly on their mobiles. Every one of them passing easily through the tall red, steel barriers that had been erected along the allée. They chatted and laughed in the street, oblivious to the danger the young men next to them were anticipating.

The gardiens are France's cowboys

In the distance, from the direction of the village recycling bins, came the clacking of hooves on hard asphalt. Within seconds, the young men could see the Camargue gardiens and their graceful white horses turning the corner and racing down towards them. The tightly packed horses surrounded something, something dark and foreboding. In a ghostlike blur, they flew passed the young men. Just visible between the horse’s flanks were two black bulls.

After several circuits of the village the bulls are tired and can be caught up with.

The youths took off after them, running as fast as they could. They tried to catch the bulls and a few got close enough to grab an animal’s tail for a few seconds, but most did not. In frustration, some of the young men shouted out at the rapidly disappearing animals.

“When I catch you, you lousy son-of–a-cow, I will turn into a McBurger!”

The young men show their cajones.

“Hola bull, I had your sister for dinner. Nice steaks, she tasted great! I’m waiting for you.”

Then, winded and sweating, the young men stopped and bent over to catch their breaths to the scattered applause of a few friends. For those who touched the bulls’ tails there was visible elation.

Welcome to our village’s “Journées Taurines” or “Days of Bulls.”

We are located in the Herault, halfway between Spain and the cattle ranches of the Camargue. Raising bulls and bullfighting is a tradition in the Languedoc and many cities have arenes (arenas). The larger venues, like Nîmes, Carcassone and Béziers, are part of the “corrida” circuit that the toreros travel each year. While bullfighting may be a controversial sport, with its ardent supporters and equally ardent detractors, the Journées Taurines is not a bullfight at worst it is bull annoyance.

The bull running began Saturday and continued on Sunday. The first year the event was held one of the organizers stepped out in front of a bull and taunted it. The taurine was not impressed and flung the man into the air, a moment immortalized on YouTube.

Thinking of breaking out?

Thereafter crowd control and public safety became a big concern. This year along the Avenue de la Gare, the tree lined road that leads into town, the village workers erected heavy, red steel barriers. About two meters tall, there was enough room between the bars to allow people to pass through them, but not enough space for a large animal. However, there was a glitch in this security arrangement. No one cared that you were supposed to stay behind the bars. People just passed through them and continued on their merry way, as though nothing were going on. The event announcer kept telling people to stay back behind the barriers but no one seemed to pay any attention to him except for the local band, Fanfare Banzai. They wisely sat well back from the barriers and played their music from the terrace of a nearby restaurant.

This old guy threw his hat at the bulls to get them to run faster.

The horses and bulls made a wide circuit down the allée and around through the fields. Each time they came down the Avenue, the crowd stepped aside to make room for them and cheered a little, then just as quickly stepped back out into the street.

As the village photojournalist, I loaded up my professional gear, long lenses and all and covered the “action.” And, there I stood out in the middle of the street, cameras at the ready, ignoring the taunts and the warnings of several British friends who shouted from behind the barriers.

Fanfare Banzai played from the safety of the restaurant.

Even Diane added to the chorus, begging me to come back to safety.

“No,” I said proudly, “I am a photojournalist and my job is to get the photos.”

My sang froid rising, I added, “I’ll be okay because I will stand next to this old lady and her two little granddaughters. Surely, not even an angry bull would harm a child or the photographer standing behind her.”

Then I heard the sounds of the approaching horses and I began to have some misgivings about my plan. Luckily, the little girl looked up at me and smiled.

The horses flew by us and I hurriedly snapped frame after frame. Most of these shots, of course, were photos of the rear ends of horses, young men, and bulls. No, Pulitzer there. Clearly this event would not rise to level of an Ernest Hemingway bullfight, there was not even going to be a broken arm much less a Death in this Afternoon.

After a lot of taunting this taurine chased a kid across the arena. 

Then I realized what the village’s little secret was. These bulls were rather young. Imagine if you will as one year old, sweet, and gentle Ferdinand the Bulls, rather than some sort of steamrollers of death. As herd animals they ran, dare I say, happily in the safety of the horses? 

Notice how small the bull is.

Moreover, unlike Pamplona where the bulls chase the people, in Tourbes people chase the bulls and try to catch up with them. Sure, these frisky steers could hurt you but you literally have to get in their faces to do it, as that event organizer did in that first running. Cattle are nearsighted, that is why toreros use red capes to get their attention, to get hurt you have to get in their way.

A log day of running bulls draws to a close.

“Gardiens,” the cattle ranchers from the Camargue marshes of the Rhone, operate these bull runnings all around the region. They are in control of the animals and having raised them are aware of each one’s mood and attitude. I’ve written about the gardiens before. These are the French cowboys who at the turn of the 19^th century hosted Buffalo Bill Cody and his Wild West Show when they were forced by bad weather to spend a winter camped in the Camargue. The gardiens learned a lot about riding and roping from the cowboys and adopted both American style saddles and clothing.

People without barriers watch the loose bulls.

Although the weekend went well and there were only minor injuries, some question remains about whether or not there will be a Journées Taurines next year. While the bulls were well behaved, the people were not. With dozens of people milling about oblivious to the bulls, horses and men racing by, it was an injury lawyer’s dream and an insurer’s nightmare.

Most people totally ignored the barriers. The bulls, on the other hand, recognizing the danger these people posed, wisely sought shelter with the riders and horses. Facing the horde of reckless moms, wandering children and incautious grannies, that was the smart thing to do. In their hooves, I would have done the same.

Le Sud de France 5.2: Me and My Magic Black Hat

N'est pas un chapeau noir!

Sebastian is a big guy like me, six foot tall and a bit on the chunky side. I met him at a party, where he lumbered in wearing a black “gardien” hat and carrying a guitar case. I had been asked to bring my guitar and seeing him, I realized that he was the other musician for the night. So I went up to him, and standing there eye to eye, introduced myself and said “C’est un beau chapeau.” He nodded slightly and said, “D’accord.”

Now I am not a hat guy. Never wore baseball caps or fedoras, certainly wouldn’t be caught "morte" in a beret on a bet. Nevertheless, the Midi spring was upon us and the sun was already bright and hard. Since I don’t like to wear sunglasses--they interfere with my photography-- a hat with a brim had possibilities; and there was something about Sebastian's that caught my fancy.

Cody's Coming!

A while ago, I wrote about Buffalo Bill and his Wild West Show getting stranded here in France by a terrible winter storm. They ended up wintering about 60 miles from us in the Camargue, the beautiful, marshy Rhone delta that's full of flaming pink flamingos, big black bulls, and wild white horses. It’s the traditional home of the gardiens—French cattle ranchers--and of French gypsies.

During Bill’s sojourn, the gardiens fell in love with the cowboys--mad, passionate male love. They admired the Americans skills at ropin’, ridin’, and shootin' and soon, they were trying to be just like them. The cowboys, of course, fell hard for the French mademoiselles.  

A mademoiselle Gardien with her black hat.

The gardiens’ embrace of all things cowboy is still evident  in the Western tack shops of the Camargue, in town like Les Saintes- Maries-de-la-Mer where they sell American riding saddles, cowboy shirts (although made with colorful Provençal fabrics) and gardien hats. Sebastian is from the Camargue--he’s a French-Spaniard—so naturally, he wears a gardien hat modeled on the American cowboy’s Stetson.

Thinking about his hat, I knew that I needed one. Somehow, it just felt right. Unlike a beret, the gardien nicely expresses an American heritage with a French flair. It would make me stand out as an American who living here. C’est parfait!

Lee's the one

I asked Sebastian where I could get a hat locally and he directed me the Pézenas Saturday market where three days later, I stood in front of a stall full of rain caps, deerslayers, fedoras, flat caps, and berets. I spotted the “gardiens” in a in all sorts of sizes and colors and with a variety of decorative bands. I rummaged through the stack looking for a hat, in unknown territory, relying on “bon chance” to find me the right one.

I tried on a few and then picked up one that seemed a little different from the rest. I put it on and it fit as if it had been born on my head. It looked cool and rakish, making me feel a bit edgy, like Lee Van Cleef on his way to a shootout with Clint Eastwood. 

I bought the hat and strolled home through the market, little suspecting how the hat was going to change my life.

Later that day, I stopped at a supermarket to get some things for dinner and  I entered the store in my black gardien expecting to get a lot of stares. I usually do, as I am taller and bigger than most of the local French folk. However, no one even glanced at me. I walked passed them and they stared right through me. I had become invisible.

At the meat counter, when I asked for a 200-gram slice of dry sausage, the woman at the counter nodded and said, “Une pièce?” “Oui.” I replied. Now, usually when I speak French, people are polite but I can see them wince or cross their eyes at my pronunciation. Sometimes they’ll politely repeat what I said but say it correctly. This time there was no eye crossing and before I knew it, the woman handed me my sausage and I was off.

The Hotel Lacoste

That evening, we went to a gallery opening and I parked in a municipal lot in Pézenas. I went to pay for a time ticket and was about to put money in the machine when a voice behind me rang out, “Monsieur, attendez!”

I turned to see a forty-something brunette in a Mercedes waving her arm at me. In her hand was a piece of paper. It turned out to be her unexpired parking ticket, which she was giving me to use. I took it, she smiled, I smiled and she drove off. Was this luck, I wondered, or the work of the hat?

The opening was in Hótel de Lacoste, one of the oldest buildings in Pézenas and the site of newly discovered ritual baths, once used by Jews during the Renaissance. The gallery itself-- Galerie Anne Cros--is an airy modern space with large windows that overlook a courtyard and gardens.

A black beret--boring

Climbing a long curved stairway, we entered the gallery where were immediately surrounded by a curious crowd. The gallery owner Mme.Cros came over and introduced herself as the gallery's co-owner joined us, vigorously shaking my hand. The two of them chatted us up like long lost relations. When they turned to talk to others, new people came over and struck up conversations. In fact, people came over all evening and several  made a point of praising my hat.

Later looking around the gallery I noticed another man wearing a black hat and beyond him a man with a straw hat and beyond him another with a beret. However, no one seemed interested in them. Very curious.

The show was an exhibition of paintings by a French artist, Christine Trouillet. Her work is delightful with a strong use of color and the blending of abstract and representational elements. I really liked her work, as did the other opening attendees. 

When Christine got to the gallery, I corralled her for a few photos for this blog. In my fine French black gardien hat, I naturally had the authority to do that.

Christine Trouillet

Moi et mon chapeau noir.

Today my black hat and I are still getting to know each other.

It’s finding its way around my head and practicing it’s grip to prevent flying off in the  winds that roar through the Herault.

In fact, while I was adjusting it I walked by our café and Therese the owner waved at me and shouted, “Eh, Steve! Mr.Cool. OK!”


Clearly, the hat makes the man.

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